Produced by Portishead co-founder the musician-producer, this scabrous though slight first film turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own family home. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Darkly Funny Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the ecstasy generation were primarily out for number one – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, intent on soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
There is only one key story turn, but it leads to a comically executed chaotic run on the forest trails that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film is in UK and Irish cinemas from November 17.
